One of the most influential artists of the 20th century, Hélio Oiticica is known for his dynamic grid-like compositions on cardboard, free-standing wooden structures, and large-scale multi-sensorial installations. He was a pivotal member of the Neo-Concrete group (1959-1961), a movement of Brazilian artists seeking to impart the geometric investigations of Concretism with emotion, sensuality, and subjectivity. Throughout his brief career, Oiticica constantly challenged traditional notions of art and art practices by liberating color into three-dimensional space and integrating viewer participation as a central element by which to experience his work.
Oiticica’s work and influence have been increasingly acknowledged since his death in 1980, most recently by the landmark retrospective To Organize Delirium, currently on view at the Carnegie Museum of Art, Pennsylvania, and travelling to the Art Institute of Chicago, Illinois,
and the Whitney Museum of American Art, New York, in 2017. Previous retrospectives include The Body of Color, which was presented by the Museum of Fine Arts Houston, Texas, in 2007, and the Tate Modern, England, in 2008. His work is represented in institutions around the world including the Museum of Modern Art, New York; Glenstone Foundation, Maryland; Walker Art Center, Minnesota; Museo de Arte Latinoamericano de Buenos Aires, Argentina; Inhotim Centro de Arte Contemporânea, Brazil; Museu de Arte Moderna do Rio de Janeiro, Brazil; Museu de Arte Moderna de São Paulo, Brazil; and Centro Nacional Museo de Arte Reina Sofía, Spain.
Hélio Oiticica was born in Rio de Janeiro, Brazil, in 1937, and died in 1980. The Estate of Hélio Oiticica is managed by the Projeto Hélio Oiticica in Rio de Janeiro.